Indigenous Culture, Heritage and the City's First Peoples
Sydney sits on the land of the Gadigal people of the Eora Nation, and the city's relationship with its Indigenous heritage is increasingly visible in its cultural institutions and public spaces. The Australian Museum, the country's oldest natural history museum, holds significant collections of Aboriginal and Torres Strait Islander cultural material alongside its natural history galleries, and has invested substantially in presenting these collections in partnership with the communities to which they belong. The Royal Botanic Garden, which occupies land that was farmed and managed by the Gadigal for thousands of years before European settlement, offers guided walks that present the garden's plant collections through the lens of Aboriginal ecological knowledge. The Barangaroo Reserve, a headland park created on the site of former container wharves, was designed as a cultural landscape reconnecting the harbour foreshore with its pre-colonial character and is managed with the involvement of the traditional custodians. The National Center of Indigenous Excellence in Redfern, and the gallery and performance spaces of the Carriageworks arts precinct in nearby Eveleigh, sustain a living Indigenous arts and cultural program in a city that is making a sustained effort to engage honestly with the history and continuing presence of its First Peoples. The Gadigal Welcome program offered by the City of Sydney, along with the Aboriginal and Torres Strait Islander cultural programming at the Australian Museum and the Art Gallery of New South Wales, reflects a broader shift in how the city presents its own history. The Art Gallery holds the largest collection of Aboriginal and Torres Strait Islander art in Australia, including bark paintings, sculptures, and contemporary works by artists whose practices connect ancient traditions to present-day concerns. The annual NAIDOC Week celebrations in July and the Survival Day events in January are the most publicly visible expressions of a living Indigenous culture in a city that was built on its suppression.