Indigenous Culture, Arts and the City's Creative Identity
Vancouver sits on the unceded territory of the Musqueam, Squamish, and Tsleil-Waututh peoples, and the presence and visibility of Indigenous culture in the city is more active and ongoing than in most Canadian metropolitan centers. The Museum of Anthropology at the University of British Columbia holds one of the world's most significant collections of Northwest Coast Indigenous art and cultural materials, housed in a building designed to complement the objects it contains, and the collection of totem poles, transformation masks, and works in wood, silver, and gold represents artistic traditions of extraordinary technical and conceptual sophistication. The Bill Reid Gallery of Northwest Coast Art in the city center focuses specifically on the work of an artist whose monumental bronze sculpture sits in the international terminal of Vancouver Airport and whose work was instrumental in the revival of Haida artistic practice. The city's arts infrastructure beyond Indigenous art includes the Vancouver Art Gallery in a former provincial courthouse, the Polygon Gallery in North Vancouver, and the Contemporary Art Gallery on the edge of Yaletown. The Fringe Festival in September, the Jazz Festival in late June, and the International Film Festival in autumn anchor a cultural calendar that the city's size and creative economy support with unusual consistency. The independent music scene, which has produced an outsized number of internationally recognised acts relative to the city's population, is most visible in the venues of the East Van corridor through Commercial Drive and Mount Pleasant. The city's film festival, held each September and October, is one of the largest in North America by number of films screened and has developed a particular strength in Asian cinema that reflects Vancouver's Pacific Rim position and the engagement of its large East Asian communities with cinema as a cultural form.