Neighbourhoods, Nightlife and the Living City
Prague's appeal extends well beyond the historic center, and the residential neighbourhoods that surround it carry a daily urban life that the tourist-facing districts cannot replicate. Vinohrady, developed at the end of the 19th century as a middle-class suburb and now home to the highest concentration of good independent restaurants and wine bars in the city, has a calm, tree-lined character that makes it the most liveable of the inner districts. Žižkov, adjacent to Vinohrady but historically a working-class and politically radical neighbourhood, has the highest density of pubs per capita of any district in Prague and a slightly anarchic character maintained through successive waves of gentrification. The Nusle Valley below the motorway bridge contains some of the least visited but most atmospheric older streets in the inner city. The nightlife of Prague, concentrated around Žižkov, Holešovice, and the clubs of the Nusle and Smíchov districts, operates across a wide range of formats from the tiny rock bars of Korunní Street to the larger electronic music venues in converted industrial buildings north of the center. The National Theatre complex, spanning the original 19th-century building and the adjacent New Stage, programs opera, drama, and ballet of serious quality at prices that remain accessible by western European standards. Prague's international reputation as a low-cost destination has obscured the fact that it is also a city with a genuine cultural life at a high level that rewards engagement beyond the architectural walking tour. The Signal Festival of light art each October, which projects video installations onto historic buildings across the city, has become one of the most attended outdoor arts events in Central Europe and demonstrates Prague's capacity to use its architectural heritage as the medium for entirely contemporary cultural expression. The city remains one of the most affordable major cultural capitals in Europe, and that accessibility sustains an audience for its arts institutions that wider pricing would erode.